About GildaThe critics said that " the role of Gilda was like cut on her." " This role fitted  her like a glove on her hand ". " She is an authentic, inimitable Gilda interpreter.It looks as if Verdi would have created this role for her voice and figure."
I, for one, admit that it is my favorite, I simply had identified with that character. That's why I mentioned it the first. I  had a brilliant partner, in the role of the father, baritone Oktav Enigarescu (Romania)  for many years, and also a great number of splendid tenors, in the role of the Duke. 


My voice is soprano lirico legero and I was singing
 the following roles: 

 Gilda, Rigoletto, Verdi
 Rosina in The Barber of Seville, Rossini, 
 Musetta in La Bohème, Puccini, 
 Anna in The Merry Women of Windsor, Otto Nikolay

 Sibel in Faust, Gounot

 Adina in The Elixir of Love, Donizetti, 
 Lauretta in Gianni Schicchi, Puccini, 
 Lucia in Lucia di Lammermoor, Donizetti, 
 Violetta in La Traviata ,Verdi
 Primadona Corilla in Viva la Mamma, Donizetti (Theatrical Conveniences and    Inconveniences) 
 Goddess Siduri Sabitu in Gilgamesch, Rudolf Brucci, 
 soprano in Carmina Burana, Carl Orff, 
 Susanna in The Figaro's Wedding, Mozart, 
 Papagena in The Magic Flute, Mozart, 
 Fraeuleine Ulich, Der Theater Direktor, Mozart
 Oskar/Page in A Masked Ball, Verdi,

 Fraskitta in Carmen, Bizet

 Esmeralda in The Sold Bride, Smetana

Comic operas :

A Night in Venice, (J.Strauss), Ciboletta

The Gypsy Barron (J.Strauss), Arsena

The Bat( Die Fledermaus), (J. Strauss), Adelle

Operettas & Musicals:

Paris Life (Offenbach), subrette

Countess Maritza (Kalman), gypsy fortune-teller

Countess Maritza (Kalman), Lisa

The Queen of Cardash (Kalman), Stazi

Rosemary ( Friml), Vanda, the Indian

Hello, Dolly (Hermann), Ermengarde

West Side Story (Bernstein), Consuelo, a portorican

Kiss me, Kate (Porter), Hety, Miss Lily's wardrober

Little Florami of Split (Ivo Tijardovich), Florami,

the most popular ex-Yugoslav operetta